Trailer Tuesday 8.30.11

This weekend is a holiday weekend, but it’s not really one that’s known for big ticket sales at the theater.  There’s only one movie coming out this week that I want to see, which is just as well because I, like most people, will be traveling to visit people and might not have time to watch much anyway.

The one I’m interested in seeing is called The Debt.  It is a fictional story about three former Mossad agents and their dangerous mission.  There are two actors for each of the there main characters, one to portray their younger selves in flashback and one to play their current selves struggling to come to peace with what they did or didn’t do so many years before.  It’s a remake of an Israeli film, which I would really like to see, but I can’t find it on netflix.

The other movies coming out this week are Shark Week 3D and Apollo 18.  I have no interest in either of them.  But just this past Sunday we saw our very first glimpse of the The Hunger Games movie.  It was only a teaser trailer, but it was still exciting.  If you have not read the book series that this is based on yet, I highly recommend it.  If you would like to read my reaction and analysis post that I put up immediately after fist seeing it, click here.  This movie is still filming and is scheduled to hit theaters in March.

Another film I am looking forward to is War Horse, which is coming this December.  This is a film adaptation of a novel that has also been adapted as a play.  I would really love to see the play.  Entertainment Weekly ran a review a few months ago about how the animatronic horses for the stage were amazingly life-like. The Broadway production recently won the 2011 Tony award for Best Play.  I certainly hope the movie is as good as everyone says the play is.

Colombiana

“Vengeance is Beautiful,” says the poster.  But is it, really?  The Bible says that vengeance is the Lord’s, (Romans 12:19).  Maybe that’s partly because God knows what it does to a person to pursue violent retribution for the wrongs done to you and yours, instead of trusting they will be brought to justice in this world or the next and spending your energies elsewhere.  This movie does a fantastic job of portraying the toll that the choice to seek revenge exacts from a life already filled with too much tragedy.  It really doesn’t promote it’s own tagline.

This story centers around a young Colombian girl, Cataleya, (played by Amandla Stenberg and Zoe Saldana at different ages), whose parents are killed because of some very unclear affiliation with some undefined bad guy and his people.  Probably a drug cartel, but it’s never really explained.  It’s not important.  The story is about the girl.  She escapes, and chooses to define the rest of her life by that tragic experience.  When she finds her uncle, this elementary-aged child says “I want to be a killer.  Can you help?”  To which her uncle, a killer himself, responds, “Sure.”

To me, that moment was a pretty significant statement about the impact of one’s family and home life.  Maybe the determined Cataleya would have grown up to be an assassin regardless.  But what if the reaction to her stated goals, spoken while her grief was still so fresh, had been to discourage her from such a destructive path, instead of facilitate it?  Her uncle has his own tragic reasons for carrying around a deadly past, and he has a great conversation with a grown-up Cata about the futility of what she is seeking, telling her that his own pursuit of personal vengeance “changed nothing,” and that “I still pray that you can find a life apart from this,” but by then it is much too late.

Amandla Stenberg plays young Catalyea, and will be playing Rue in The Hunger Games this March.

This movie is intense without being outrageously violent, and it’s more complex than a mindless action flick.  It still has a lot of plot holes that don’t really get explained or aren’t very well developed, (like what exactly was on that disk, and what exactly was Don Luis’ business, and how did Daniel and “Jennifer” even meet?) but the focus in on Cataleya, and her complicated dichotomy is portrayed extremely well.  She’s an incredibly talented killer, “like mist under a door, a mouse in the walls,” but she’s also emotionally stunted.  She has difficulty relating to people, she can’t even carry on a conversation with her lover without great difficulty.  She doesn’t even have healthy relationships with her grandmother and uncle, who raised her after the death of her parents and who she refers to as “the last pieces of me.”

She’s empty, hollow, and lonely, and even though she gets her justice, she’s now going to have to spend the rest of her life on alert, looking over her shoulder for the law.  The FBI doesn’t just stop looking for you when you’ve killed that many people.  Just think what her life could have been like, still tragic to lose her parents, yes, but she could have moved on, she could have pursued pretty much any career path.  Yet what she chose was to obsessively fixate on deadly revenge, and that, not the violent loss of her parents, is what destroyed her life.

That is one GIANT gun she's toting around.

Terrific movie. I absolutely recommend it.  It shows what so many revenge movies forget, the lesson that holding on to a grudge hurts you more than the person you hold it against.

Digest Movies: Hiatus

well obviously i am falling behind on my reviews.  i do have several films that I’ve seen and am planning to review, but lately my life has been sort of in transition (new job) or just plain busy (hosting people, visiting people), so i’m giving myself a break.  i’ll just say i’m on hiatus until after labor day.  i’ll probably (hopefully!) post some reviews before then, though.  i am just aiming to be back on a semi-regular schedule by then.

i have created a twitter account (@DigestMovies) and linked it to this homepage, so you can see my recent tweets in the right sidebar for immediate reactions or upcoming viewing plans. you’re also welcome to tweet me requests or responses to my reviews, of course.

Here’s some of what I’m working on right now, to be posted whenever I get caught up on sleep and my life and household are a little more orderly:

Rise of the Planet of the Apes: AWESOME! loved it, amazing special effects, unexpectedly emotional, not just an action movie, good story (but not all that realistic of course).  I think the lesson to be learned here is, animals have feelings too, and we should not be cruel to them, even if they haven’t been exposed to cutting-edge medicines that greatly enhance their brainpowers and make them capable of expressing their feelings and retaliating.

The Help: so much controversy around this movie. not sure what my own position is. i think this film is worth seeing, though, and i hope it sparks conversation, research and thoughts on the issue (racism) and time period (civil rights era) beyond the theater. it has in me. the controversy almost deserves its own review.

True Grit: watched this again on DVD last week.  so many great characters, interesting dialects and quotable dialogue.  i’ve never seen the original so i don’t know how this remake compares, but i do like movies by the coen brothers.  they tend to have a lot of theology in them. this lesson in this movie is pretty much stated towards the beginning, “You must pay for everything in this world, one way and another. There is nothing free except the grace of God.” also, the proverb shown on screen at the opening, “The wicked flee when none pursueth. Proverbs 28:1”

Scott Pilgrim vs. the World: I love this movie, i love the style, i love all the little gamer jokes, i think it’s really funny.  but i don’t really like scott pilgrim himself.  he’s pretty selfish and immature, isn’t he? and i kind of hate ramona.  she’s definitely selfish and immature. they deserve each other. i think this movie does confront the emotional fallout that always follows a relationship’s end. hopefully it makes people think about how they treat their dating partners…i guess scott probably does learn that by the end.

I’ve missed several movies these past few weeks, and i hope they are still in the theater when i get the chance to try to see them.  The Tree of Life and One Day are at the top of my list right now.  i’ve discovered The Immortals comes out the day after my birthday, so i’m hoping i like it as much as the trailers have led me to believe i will.  i’m very excited to see the first clips from The Hunger Games this weekend when they premiere at the mtv video awards show.  (actually i’ll probably watch them/it online shortly after they premiere when they get put on youtube. i don’t know if it’s going to be a trailer, teaser trailer, or clips. but anything will be exciting since it will be the first footage we’ve seen. great book, if you haven’t read it yet.)  I read an interesting article that quoted George Clooney on his thoughts about The Ides of March, which he is directing.  It’s about a political campaign but he said, “I don’t really find it to be a movie about politics…It’s about a guy doing anything to win at the cost of his soul. Those are universal themes you could play with in any genre or in any workplace. It’s just that the political arena is so much fun to work in.”  the article was in entertainment weekly’s august 19/26 edition, but i can’t find a link to it online right now.  that movie comes out in october.

okay, so that’s a movie update from me, and again, i’m sorry i haven’t been posting prompt and regular reviews, but i’m not sorry that i have a full life.

 

-paeglady

Trailer (Tuesday) Wednesday 8.10.11

Okay, so I know I really should have posted this yesterday.  Also, I should have posted a few more reviews last week, but I have company at my house right now and I have not been able to watch or review anything the past few days.  Hopefully I will see Rise of the Planet of the Apes soon, though–everything I have heard about it has been positive.

This week, The Help comes out, based on the book by the same name written by Kathryn Stockett.  I have not read the book, so I cannot really comment on it.  To me it looks like a very heavy and complicated issue, (racism), is being oversimplified and portrayed with cliches all around.  Maybe that’s just the way the trailer is cut, or maybe the book is actually better, I don’t know.  Also, maybe it’s just that I’m not really an Emma Stone fan.

Also coming out this week is Final Destination 5, (no thank you), and Glee: The 3D Concert Movie, (I refuse), as well 30 Minutes or Less, (oh all right, maybe.)  “30 Minutes” is a comedy about a pizza delivery guy forced to rob a bank.  It doesn’t  look like it will be anything special to me, but my husband is looking forward to it and I will admit I laughed out loud the first time I saw this trailer at the very last line.

Coming up later, in October, is a dystopian sci-fi film called In Time.  It is set in a future where everybody stops aging at 25 and potentially could live forever, but instead of money, time is a commodity, so if you run out you die.  I think it will probably turn out to be kind of stupid, but the concept is really interesting.  It might turn out to be like Repo Men in that way.

Winnie the Pooh

This movie is so cute, I loved it!  Classic characters, hand-drawn animation, actual children’s movie, not like so many these days where they fell compelled to wink-wink at adult content so the parents are entertained, too.  I mean, parents can definitely enjoy Winnie the Pooh, but the “adult” jokes involve being able to read.  Nothing dirty.  And it’s not very long, just over an hour, so young children may actually be able to sit through it.

There is a short at the beginning, “The Ballad of Nessie,” about Loch Ness.  It’s wonderful.  Narrated with a great thick Scottish accent, with the moral, “Dinnae be afraid to cry, it really is okay.  Sometimes it’s through ya’ tears t’ find a better way.”  It’s adorable.

Nessie enjoys bathing in a quiet pool.

Then there’s the feature presentation.  I read some of the Pooh books as a child, and had at least one that was a “book on tape”.  I don’t know if the voice actors for this movie are all the same as the voices I heard as a child, but they sure sounded right.  Some of the songs are familiar, (“willy nilly silly old bear!”), and others were new to me.  My favorite was probably the duet that Pooh sings with his hungry, growling tummy.

There is a song about a creature called a Bakson that might be a little bit frightening to very small children, but the animation for that montage is even less realistic chalk drawings and it is interspersed with humorous gags.  I didn’t notice any of the kids in my theater crying.  (The Bakson is a mythical creature developed when Owl mistakenly interprets a letter from Christopher Robin that says he has gone and will be “back soon”.)

Piglet, flying through the air hanging from a balloon, has just knocked part of a paragraph to the ground.

Throughout the story, the characters and the action interact with the narrator and text.  Maybe this can be used to encourage children to read more, (or have things read to them at least.)  There are also several possibilities for discussion questions to engage a child in after viewing this film; nothing too deep, but a good way to start the habit of discussing stories and noting whether or not the characters display behavior that should be mimicked.  For example, you might ask how Pooh could have been kinder to Piglet, (not making him do all the hard work), how Pooh showed that he was a good friend to Eeyore, (by bringing him his tail right away instead of satisfying his own craving for honey), note how the friends all work together, or discuss how Tigger’s philosophy can apply to each of us, too, (he’s special because “he’s the only one!”).  But overall it is just a very lighthearted, enjoyable children’s movie.

Winnie the Pooh and Christoper Robin

Trailer Tuesday 8.2.11

This week, Rise of the Planet of the Apes comes out!  I am very excited for it, even though last week’s highly anticipated (by me) film turned out to be not so great, (*cough* Cowboys and Aliens *cough*!).  The story looks very interesting, and I am looking forward to comparing Ceasar’s experience to real-life chimpanzee Nim, as document in Project Nim.  (Sorry, I decided not to review that one, but it’s really interesting and I recommend it). Also, people have already started raving about the CGI for this film.  And the motion capture for Ceasar was done by Andy Serkis, famous for his similar work in the role of Gollum in The Lord of the Rings.

Also coming out this week is The Change Up, a comedy starring Jason Bateman and Ryan Reynolds as men who get switched into each others’ bodies.  I’ve seen the red band trailer, and it looks like it will be pretty filthy joke-wise.  Also coming out this week are The Whistleblower and Bellflower, and I haven’t heard much about those.  The Whistleblower is based on a true story, though, and just watching the trailer is inspiring.  This woman is standing up to the lions of injustice:

Last week the first trailer for Battleship was released.  It looks about as stupid as you would guess that a show based on the classic board game (yes, really) would be.  This comes out in May 2012.

Last week Attack the Block had a very, very limited release, (only eight cities).  I have heard tons of hype about this movie.  I am hoping it opens near me soon.  Plot: Aliens invade South London, and the neighborhood youths fight back.  See for yourself:

Which movies are you most looking forward to?

Cowboys and Aliens

Well, really, what should I have expected?  The movie is called Cowboys and Aliens, not Amazingness and Awesomeness.  Here’s a description from imdb.com:

A spaceship arrives in Arizona, 1873, to take over the Earth, starting with the Wild West region. A posse of cowboys are all that stand in their way.

Yup.  That’s what this movie is about.  Why didn’t I prepare myself for the cheese?  (Because I thought Daniel Craig and Harrison Ford were fantastic enough by themselves to make it epic, probably).  I think this movie can be enjoyable.  There’s no question it’s better than Green Lantern.  But just…prepare yourself, don’t expect it to be amazing, embrace the cheesiness, campy theatrics and silly plot twists.  I didn’t and I was cringing three quarters through thinking I was going to have to say it wasn’t good, but the more that I thought about it afterwards the more I convinced myself it wasn’t as bad as I thought.  (Still, I shouldn’t have to work this hard to like a movie that has James Bond and Indiana Jones/Han Solo!)

The two stars were actually great.  They have earned their “movie star” titles, they look great, and they deliver excellent performances.  Daniel Craig especially looks very, very nice in his riding chaps, ducking his head down so you can’t see his smoldering eyes under his hat brim.  Reminds me of my old favorite, Jim Craig.  (Hey, same name, even!)

Cool guys don't look up from under their hat brim.

There were a lot of general “cowboy/western” elements, like dialects that allow double-modals (“might could”), shots of whiskey, the sizzling barrel of a recently fired gun being used as a weapon itself, and people making sure to go back and grab their hats even as they run away from a huge explosion.  Gotta have your hat.  One character is seen shooting a shotgun while being whisked through the air mid-abduction–that’s cowboy grit!  Oh, and even though it’s called Cowboys and Aliens, don’t worry, there are Indians, too.  (And apparently the filmmakers really tried to give them an authentic representation, which is great and not at all how that population has often been portrayed on screen in the past.  Their part is still pretty cheesy but at that point pretty much everything else is, too.)

There are also some scalps hanging from saddlebags, towards the beginning.  Is that so we don’t feel bad when those characters die moments later?  Similar to the way they made the lobby desk guy and the coke-head co-worker in Die Hard so annoying, so you weren’t bothered when the bad guys shot them?  Let’s not forget, no matter how annoying or vile or barbaric someone is, they are still a soul that God wants to redeem and we shouldn’t take anyone’s death lightly.  (I know, I know, it’s just a movie–but this is the part where I think critically about it.)

Mysterious rogue cowboy Jake Lonergan (Daniel Craig) is greedy, and it costs him terribly. I don’t know if he really learns his lesson, either.  He recognizes at one point that it’s his fault someone died, but he’s comforted when another character says “no it’s not.”  (Um, yes, it is!)  And later, he’s  lovingly fingering the gold in the midst of a shoot-out in the alien’s hideout.  (Because the aliens, too, are greedy for gold.  **SPOILER ALERT**  One of them even dies by molten gold!  Well if THAT isn’t some great imagery for the love of money being destructive to your life!   Anyway, Lonergan’s storyline isn’t really very satisfying.  He spends much of the movie not remembering what kind of man he was, and when he finds out he doesn’t seem to care or try to change.  The Preacher tells him, “God doesn’t care who you were, son, only who you are,” and that’s true to some extent, but only if you’ve repented from your past.  You don’t get to skip from bad guy to good guy in God’s book just because you help rescue some people from Aliens, but you can get a fresh start and become a “new creation” (2 Cor 5:17)  **END SPOILER**

Meanwhile, Col. Dolarhyde (Harrison Ford) is a crotchety, mean, old man.  We’re told through dialogue that he “despise[s] battle, but…would never run from it.”  Some of his actions paint a much more ruthlessly violent picture.  One of his faithful hired hands defends his gruff boss by saying “He means well,” but is that really an excuse?  Dolarhyde’s storyline is less than compelling as well, because although Paul Dano, (the guy from Little Miss Sunshine and There Will Be Blood), does a terrific job portraying his immature, spoiled son, not enough of their father-son relationship is developed to make their semi-redemption at the end very moving.

**SPOILER ALERT** What I mean is, if it had been established that the reason Percy Dolarhyde was such an annoying little bully was because he was frustrated from being treated like a child and babysat by hired hands all day and never allowed to participate in his dad’s cattle-driving business, then it would have made more sense for Mr. Dolarhyde senior to start giving him more responsibility at the end.  But instead, Percy doesn’t ever prove himself in any way, (he’s unconscious most of the movie), and the Col.’s decision at the end to include Percy in his business is unmotivated.  Maybe he’s just deciding to start treating his son differently and hoping that Percy can earn the responsibilities he’s extending, but I don’t anticipate that will go very well as it appears he’s never had any responsibility before in his life.  He hasn’t shown he can be entrusted with little.  **END SPOILER**

The obligatory Preacher figure seems like he genuinely cares about helping people, but he espouses some questionable theology.  I’ve captured the majority of his dialogue here, (but be warned it’s very spoiler-y).  My biggest argument would probably be with what he tells poor sympathetic Doc, who is desperately trying to save his abducted wife but doesn’t posses the necessary skills.  (He can’t hit a target for beans).  A frustrated Doc says that either God “ain’t up there, or he don’t like me.”  The Preacher tells him he has to “earn [God’s] presence, and then you gotta learn to recognize it, and then you gotta act on it. ”  I like the bit about having to learn to recognize how God is working in your life, (maybe in Doc’s case by having Lonergan’s skills and Dolarhyde’s resources dedicated to the same goal as his), but I’m not so sure about the accuracy of having to “earn” God’s presence.  I’m not sure what he means by that.  It could be he’s trying to not give a cliche answer to Doc’s question, which is essentially “If God is good why are these bad things happening”, never an easy one to grapple with.  The Preacher didn’t seem all that orthodox, but in any case the Doc later said that he “made me feel better,” although Doc remained a skeptic.

Oh good, I've still got my hat!

Final verdict: not terrible, gloriously cheesy in the last quarter.  Maybe go to a matinee or wait for it on DVD.  Unless you are the kind of person that will be excited to see an alien getting lassoed or speared.